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Top 10 Bowie Songs:

These are my personal favorites, not which songs I think are “objectively best.” Sort of in order, but some are too close to call.

1. Station to Station
This song is dark, beautiful, complex, innovative, and disturbing. Its enveloping atmosphere and progression of emotions captures a sense of the search for life’s meaning, the fear of emptiness and hope for transcendence.

2. Ziggy Stardust
The perfect archetypal rock song for the perfect archetypal rock star.

3. Subterraneans
So beautiful, longing, and sad. Bowie’s a master at capturing this particular emotion; “Subterraneans” is the best example, although…

4. The Bewlay Brothers
Even the Bowie encyclopedia doesn’t seem to quite know what to make of this song’s enigmatic lyrics. Whatever it’s about, the vivid imagery and haunting music are eerie and sad, steeped in a nostalgia for something deeply precious and irrevocably lost. (Plus, Bowie deserves major props for turning that chipmunk vocal effect last seen in “The Laughing Gnome” into something effectively ominous here.)

5. “Heroes”
Specific and universal, ironic and yet deeply moving–”Heroes” is an epic contradiction of a song. (I already raved about it here.)

6. Always Crashing in the Same Car
So much emotion brews beneath the cool surface of this song. It is a mood, a musical landscape of numb disconnection.

7. Alternative Candidate
I can’t believe this jaunty and twisted outtake wasn’t even on the album!

8. Cygnet Committee
Perhaps a bit over the top, but I love the sincerity of this folk epic. Bowie’s impassioned criticism of the corruption of 1960s ideals is a reminder of the substance beneath his style.

9. My Death (July 3, 1973 live version)
This isn’t even a Bowie song, but it ranks in my top ten for the quality of the performance alone.

10. The Man Who Sold the World
Thanks to Nirvana, I grew up with this song; I still adore Kurt Cobain’s raw vocal performance. Bowie’s original is equally sad, with a detached performance that gives its emotion a more distant quality. The lyrics are among his early best.

(Runners up: Life on Mars?, Five Years, Moonage Daydream, Rock N Roll Suicide, Aladdin Sane, Sweet Thing/Candidate/Sweet Thing, Big Brother, Young Americans, Who Can I Be Now, Stay, Wild is the Wind, A New Career in a New Town, Neukoln, Ashes to Ashes, Ricochet, Loving the Alien, Jump They Say, Outside, I’m Afraid of Americans)

I know my descriptions tend to linger on the angsty aspects of the songs, but a lot what makes them so effective is Bowie’s irony, self-awareness, and sense of the absurd.

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